Atramentum,[1] too, must be reckoned among the artificial colours,
although it is also derived in two ways from the earth.
All these plans, however, are new-fangled and troublesome; for this substance may be prepared, in numerous ways, from the soot that is yielded by the combustion of resin or pitch; so much so, indeed, that manufactories have been built on the principle of not allowing an escape for the smoke evolved by the process. The most esteemed black,[3] however, that is made in this way, is prepared from the wood of the torch-pine.
It is adulterated by mixing it with the ordinary soot from furnaces and baths, a substance which is also employed for the purpose of writing. Others, again, calcine dried wine-lees, and assure us that if the wine was originally of good quality from which the colour is made, it will bear comparison with that of indicum.[4] Polygnotus and Micon, the most celebrated painters of Athens, made their black from grape-husks, and called it "tryginon."[5] Apelles invented a method of preparing it from burnt ivory, the name given to it being "elephantinon."
We have indicum also, a substance imported from India, the
composition of which is at present unknown to me.[6] Dyers,
too, prepare an atramentum from the black inflorescence which
adheres to the brazen dye-pans. It is made also from logs of
torch-pine, burnt to charcoal and pounded in a mortar. The sæpia,
too, has a wonderful property of secreting a black liquid;[7]
but from this liquid no colour is prepared. The preparation of
every kind of atramentum is completed by exposure to the sun;
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